BLUE DRIFT
DATE: 2005 SEPTEMBER 5TH |
PLACE: E-MAIL |
WEBSITE: Blue Drift official |
I found
several noble influences in your music. Sometimes you are really symphonic
and melodic in Camel vein , sometimes more spacey in Pink Floyd and Porcupine
Tree vein, and finally I found a healthy touch of jazz and fusion. Do you
identify Blue Drift's attitude with this description ?
This is a good description. We took inspiration from
Rush, Genesis, Yes, Flower Kings, Brand x, Hawkwind, Gong, Ozrics, classical
and jazz plus many more.
Why the name Blue Drift ?
It started as Blue Shift, then we liked the sound
of Blue Drift.
Is the instrumental and evocative space-rock vein influenced by
the Stonehenge ruins near Salisbury ?
Yes, we have lived near Stonehenge all our lives and
Arch visits that place every year on summer solstice.
Besides, I think the lack of a singer is not absolutely a limit
for your music. Is it a definite choice or you think you can add vocal lines
in the future?
We are happy with the way we work together instrumentally
but anything may happen.
I personally love both the works for different reasons but inside
"Cobalt Coast" I found shorter songs as well as a heavier approach
of Dave's guitar playing: I'm thinking of the first part of "Freak
Weather" and "Cape Canaveral", for example. Maybe have you
written them many years before this release ?
Yes, some material for "Cobalt Coast" was
written by Dave previously, while "Mariner" more as three-piece.
You wrote "Deep Space" by yourself : maybe it is the only
"Mariner" song where you show only one progressive attitude. Are
you the space-rock soul inside the band?
We,ve all seen Hawkwind in the 80,s and are big fans.
"Levitation" is my favorite.
Your favourite bass players ?
Geddy Lee from Rush got me playing bass, along with
Chris Squire, Jaco Pastorious, Percy Jones, Jonas Reingold and Mick Karn.
What
do you think about the current progressive rock scene ? Do you think it's
growing in the right way ?
There are some excellent new bands, still very much
alive.
Is it a problem to be a three-piece on stage
? I mean, are you able to create the same wonderful and quite complex atmospheres
on stage ?
We have quite a powerful live sound and we use midi
a fair bit, drum triggers and bass pedals with keyboards.
Luca Alberici